Debtfair

Besides material costs affecting size, numbers and over all look of individual works and bodies of works, my time is limited in the studio because of daily responsibilities. Because of this economic time restriction, making artwork has become a fairly rapid, immediate and reactive activity. Prior to a studio session, i consider what i will do once i get there. I marry preconceived theoretical intentions with the pleasurable and exciting experience of manipulating paint. I am most interested in staging a celebratory and investigative relationship between the most essential parts of Painting and me the artist, agent. The essential painters’ toolbox consists of the flat surface, red, yellow, blue and white. I think of my interaction with these basic materials as a collaborator. I equate my action to those tool box components, everything contributes proportionally. These conceptual underpinnings have been arrived upon through my economic reality of affording what is most critical to function.